Costa-Gavras’s Z is the ultimate political thriller.

And as a paranoia piece, 1969’s Z is a masterpiece.

My review after the jump.

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The gang is brutal in their attacks on the street people.

It’s a masterpiece of tension.

Only one bureaucrat (Jean-Louis Trintignant) offers to help prosecute those responsible.

![Z movie image (4).jpg](https://static1.colliderimages.com/wordpress/wp-content/image-base/Movies/Z/Z/Z movie image (4).jpg)

But Stone did not have the through-line that Gavras got with his film.

He’s a filmmaker, and he uses the techniques of cinema to deliver his message.

It’s a good lesson for anyone with a political bent interested in cinema to take.

![Z Criterion DVD.jpg](https://static1.colliderimages.com/wordpress/wp-content/image-base/Movies/Z/Z/Z Criterion DVD.jpg)

If you want these films to work, you have to conceive of them in genre terms.

There is some level a film like this is dangerous, and it’s meant to be.

On that level there is something about it that makes me a bit uncomfortable.

![Z movie image (3).jpg](https://static1.colliderimages.com/wordpress/wp-content/image-base/Movies/Z/Z/Z movie image (3).jpg)

But I will settle for such a pure and gripping piece of filmmaking.

First up is a commentary with Peter Cowie.

There’s a new interview with the director Costa-Garvas (20 min.

), and a new interview with cinematographer Raoul Coutard (11 min.).

Then there’s period interviews with the author of the book Z, Vassilis Vassilikos (10 min.

and then another interview with Costa-Gavras, Perrin, and actor Pierre Dux (4 min.)

Also included is the film’s theatrical trailer, and a booklet with an essay by Armond White.