Both songs share common lyrics that underscore the ever-relevant need for human connection and companionship.

These attributes put her at odds with her colleagues.

In their solitary life journeys, they desire each other from afar.

Custom image of Alexandra Borbély as Mária Géza Morcsányi as Endre in On Body and Soul

Image by Nimesh Niyomal

James Gray’s drama allowed Phoenix to step away from the expected intensity that comes with his roles.

We can see ourselves in Endre and Maria.

His advanced age compared to Maria has taught him vital lessons about survival, which include protecting his heart.

On Body and Soul 2017 - Deer in a snowy forest

Image via Netflix

This is a risk for him.

She, too, is taking a risk as she is uncertain how this new adventure will turn out.

Like Endre, she develops her own inadvertent defenses.

Vinessa Shaw, Joaquin Phoenix, and Gwyneth Paltrow on a cropped poster for ‘Two Lovers’

We can relate to this unfolding and how we often apply defenses in our lives to mask our vulnerabilities.

It reflects our worldly escapism where our fears rarely have a place.

Endre has a self-imposed limitation exacerbated by his physical disability, which has led to his quiet resignation.

Géza Morcsányi as Endre in On Body and Soul (2017)

Image via Netflix

His emotional state is akin to the trapped cattle awaiting their fate in the surrounding abattoir.

Maria’s obsessive-compulsive tendencies also inadvertently create a cage in her life that prevents her from connecting with others.

There’s no fear of judgment or rejection.

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Maria, for instance, begins testing the limits of her boundaries.

She steps out of her cage to soak in experiences she had never tried before.

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On Body and Soul