Start with the screams."

He is unprepared for the disturbing, violent material he must help bring to life through sound.

It’s subtle, meticulous, and suffocatingly claustrophobic.

Promotional image featuring Jacob’s (Tim Robbins) screaming head in the middle of a spiral staircase

Image via Tri-Star Pictures

It serves up a tangle of mysteries and leaves the audience to decipher them.

This is a film that invites analysis and interpretation.

Not to mention, it culminates inone of the most shocking endingsof the 2010s.

A man wearing headphones stabbing a lettuce while looking scared in Barberian Sound Studio

Image via Artificial Eye

8’Antichrist' (2009)

Directed by Lars von Trier

“Chaos reigns.”

7’Titane' (2021)

Directed by Julia Ducournau

“I am your son.”

Titanedefies easy categorization, blending shocking imagery, gender fluidity, fractured parental relationships, and raw sexuality.

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It also riffs on Greek mythology, furious social commentary, andDavid Cronenberg’sCrash.

The body-horror is pretty intense, replete with bones breaking, changing, and merging with machinery.

The movie also boasts a striking and memorable ending that brings all its themes into focus.

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6’Saint Maud' (2019)

Directed by Rose Glass

“Never waste your pain.

For all these reasons,Saint Maudis a future classic, with strong traces ofCarrieandThe Exorcist.

It’s very much a showcase for his visual pyrotechnics, even if it’s light on coherent narrative.

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Set in 17th-century New England.

When their newborn child vanishes under mysterious circumstances, suspicion and hysteria begin to consume them.

This is complemented by the slow-burn storytelling and layered characters, including a breakout performance byAnya Taylor-Joy.

Scarlett Johansson, wearing a fur coat, looks up while outside on a street in Under the Skin

Image via A24

He’ssaidthat his music for the film is meant to track and represent the protagonist’s shifting mental state.

“Tim Robbinsstars in this one as Jacob Singer, a Vietnam vet haunted by hallucinations and fragmented memories.

And thats exactly what I did.”

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As tensions rise, Adjani’s character begins exhibiting bizarre and increasingly violent behavior.

The movie is simultaneously visceral and emotionally exhausting, balancing emotional realism with gore and monstrous imagery.

Taken together,Possessionis extreme, unsettling, and at times unbearable, yet absolutely essential.

Willem Dafoe as He in Antichrist

Image Via IFC Films

NEXT:10 Oscar Bait Movies That Might Be Overrated

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Agathe Rousselle as Alexia lying on top of a car in Titane.

Image via NEON

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Maud (Morfydd Clark) gains angel wings in the ending of Saint Maud (2019).

Image via StudioCanal

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The Assassin from Mad God

Image via Tippett Studio

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Thomasin kneeling before someone in The Witch (2015)

Image via A24

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Joaquin Phoenix and Ari Aster talking on the set of Beau Is Afraid.

Image via A24

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Tim Robbins submerged in a bath in Jacob’s Ladder

Image via Tri-Star Pictures

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‘Possession’ (1981) 4

Possession 1981 Movie Poster

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Movie

The Witch