Other films disregarded the rules entirely, making the film’s wide theatrical release unlikely.

Accompanied by the familys servant, Ingeri (Gunnel Lindblom), the two part ways in the woods.

Consumed by grief, Tore seeks revenge.

Psycho

Image via Paramount Pictures

Karins rape and murder are depicted with devastating realism, prioritizing psychological horror over exploitation.

Tores vengeful killings, including the chilling murder of a child, are also disturbing and violent.

The silence during violent scenes enhances the visceral impact, which ismore psychologically distressing than explicitly violent.

The Virgin Spring Ingmar Bergman

Image Via Janus Films

Nevertheless,The Virgin Springis a remarkably violent movie for its era.

This filmevaded Hays Code censors with its off-screen violence, depicting only the aftermath.

Nevertheless, the movie is unflinchingly brutal.

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Next door lives his controlling mother, who soon murders Marion in the shower.

As Miriam and her boyfriend Karl (Glenn Corbett) investigate, a sinister family conspiracy unravels.

The scientist aims to weaponize the creatures, which quickly dissolve human flesh.

Gloria Grahame and Glenn Ford standing behind her in Human Desire (1954).

Image via Columbia Pictures

As the survivors contend with monstrous deaths and mounting horrors, they discover the microbes' vulnerability to blood.

The Flesh Eatersstands out as one of the most graphic and violent films of the Hays Code era.

With less onscreen violence than Lewis later films, the film depicted dismemberment accompanied by gaudy blood effects.

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As her investigation deepens, she uncovers the horrifying truth behind the Pringles murderous scheme.

Moss (Michael J. Pollard), evolves from small-scale heists to violent bank robberies.

As they work to avoid law enforcement, the gangs tendencies become increasingly deadly.

Lila Crane (Vera Miles) and Sam Loomis (John Gavin) driving in a car in ‘Psycho’

Image via Paramount Pictures

The violence inBonnie and Clydeshattered the cinematic normsof the Hays Code era.

This marked a radical shift from bloodless bullet wounds, for example, to explicit consequences of violence.

The group is stalked by a hooded figure who begins gruesomely murdering them one by one.

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Along the way, family secrets are unearthed.

Released just weeks before the MPAA rating system took effect,The Ghastly Onesis notorious for its unrelenting violence.

Itscrude, low-budget effectsportray a series of grotesque murders, including dismemberments, a disembowelment and a beheading.

Miriam Webster (Patricia Breslin) and Emily (Joan Marshall) stand face to face between a bouquet in ‘Homicidal’ (1961)

Image via William Castle Productions

1’Two Thousand Maniacs!'

NEXT:The 10 Most Violent Movies of 2024, Ranked

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Ann (Barbara Wilson) looking unsettled while swimming in ‘The Flesh Eaters’ (1964).

Image via Vulcan Productions Inc.

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Mal Arnold holding a large knife above Connie Mason, who lays on the counter in a bright pink dress in Blood Feast

Image via Friedman-Lewis Productions

Official poster for Blood Feast (1963)

Mrs. Pringle (Elizabeth Davis) and a woman observe a wig in ‘The Gruesome Twosome’ (1967).

Image via Mayflower Pictures

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Bonnie and Clyde sitting in a convertible, looking in the same direction in Bonnie And Clyde (1967)

Image via Warner Bros. Pictures

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Anne Linden as Vicky between two white drapes in ‘The Ghastly Ones’ (1968).

Image via ASA Productions

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Terry (Connie Mason) and Tom (William Kerwin) in driving in a red convertible ‘Two Thousand Maniacs!’ (1964).

Image via Friedman-Lewis Productions

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