Hollywood has long thrived onthe visceral thrill of planes.
Films likeTop Gun: Maverick,with itssupersonic dogfights, are unforgettable.
No movie captures Stalingrad quite like it.
Image by Nimesh Niyomal
The film’s piece de resistance is in its balancing of spectacle with intimacy.
ThroughThirty Seconds Over Tokyo, LeRoy sells hope.
Theylaunched the Zhejiang-Jiangxi campaign that slaughtered 250,000 Chinese civiliansduring their search for downed American pilots.
Image via MGM
Its omissions arent excuses but invitations to seek the full story.
As film scholarJeanine Basingerargues,Great war films are never just about the war they depict.
Theyre about the war inside us all.
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