you might watch the full conversation in the video above or read the transcript below.
COLLIDER: You’ve directed a lot of things.
But most of the time, then you end up going back to the way it was.
Image via Future Lighthouse
So, it was elements.
We wrote a full movie that was built in flashbacks.
AJA: Can I have a few for the same big budget?
Image via Lionsgate
It was very expensive.
That was kind of likeGuardians of the GalaxybeforeGuardians of the Galaxy.
I guess that would be the one.
I love creature movies, and I’ll also dream about a giant spider apocalypse thing.
That would be good.
Jumping into why I get to talk to you.
What was it about this material that said, I need to make this?
AJA: That I need to make this is so important.
I remember reading K.C.
AJA: It was a tricky journey because we had a lot of material.
ButI wanted to be sure that we were just giving enough and not too much.
There are multiple versions.
What was it actually like making this when you had six hours?
AJA: It’s tough because you have like limited hours.
They also have school during those hours.
It’s very, very difficult, so you gotta be ready.
It was a long walk in prep.
Then, it was really to get ready to be sure that they understood everything.
We had a secret weapon on set.
Never Let Gois in theaters now.
Their safety and their surroundings come into question when one of the children questions if the evil is real.
