Some plots inBlack Mirrorresonate more than others due to the technology and experimental premise.

Marthas friend tells her about a service that allows for communication with the deceased through AI.

After discovering she is pregnant, she communicates more and more with the AI Ash.

From L to R: Jon Hamm as Matt Trent, Annie Murphy as TV Joan, Lenora Crichlow as Victoria Skillane

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Unfortunately, the AI Ash starts to become more and more like the deceased one eerily.

The commentary on the degrees of punishment can potentially start a dialogue regarding technology and retribution.

While on the bikes, the riders are surrounded by televisions displaying useless, mind-numbing programming.

Joan (Annie Murphy) and TV Joan (Salma Hayek) in Black Mirror

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The episode connects technology to concepts of nostalgia theory and afterlife to create an experience unlike any other.

The episode revolves around a couple matched on a dating site that puts an expiration date on relationships.

They promise not to check the expiration date, but when Frank defects, their perception of reality collapses.

Ash (Domhall Gleeson) and Martha (Hayley Atwell) sit on couch

Image via Channel 4

The combination of masterful storytelling and realistic consequences makes for a very well-executed plot.

This unique installment differentiates itself from otherBlack Mirrorepisodes by leaning into the horror genre.

This episode, part of the original installment ofBlack Mirrorepisodes, is reminiscent of a traditional tragedy.

Victoria (Lenora Crichlow) is in shock in Black Mirror

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As they delve deeper into the stories, the realities of their positions in the outpost are revealed.

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Mackenzie Davis and Gugu Mbatha-Raw in Black Mirror, “San Junipero”

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Joe Cole and Georgina Campbell in Black Mirror, “Hang the DJ”

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Alex Lawther in Black Mirror’s Shut Up and Dance

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Letitia Wright in ‘Black Mirror - Black Museum’

Jodie Whittaker in Black Mirror episode “The Entire History of You”

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Black Mirror White Christmas Joe standing out in snow Cropped

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