The neo-noir genre made its claim to fame with hit movies likeChinatown,Taxi Driver, andAbsence of Malice.

An aging hood is about to go back to prison.

As Michael becomes increasingly entangled in their lives, he uncovers secrets that threaten to destroy them all.

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Image by Nimesh Perera

The plot soon reaches a new height when it’s revealed that Richter is a former Nazi.

NEXT:The Best Film Noir Movies With Great Acting

lured 1947

Image via United Artists

Rose Loomis talking to a couple in Niagara

Image via 20th Century Studios

Joe and Lou talking on the street at night in Nightcrawler

Image via Open Road FIlms

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When Louis Bloom, a con man desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story.

Billy Bob Thornton and James Gandolfini talking closely in The Man Who Wasn’t There

Image via USA Films

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A laconic, chain-smoking barber blackmails his wife’s boss and lover for money to invest in dry cleaning, but his plan goes terribly wrong.

Eddie Coyle (Robert Mitchum) sits in a diner meeting with an ATF agent in ‘The Friends of Eddie Coyle’ (1973)

Image via Paramount Pictures

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An aging hood is about to go back to prison. Hoping to escape his fate, he supplies information on stolen guns to the feds, while simultaneously supplying arms to his bank robbing chums.

José Ferrer sitting next to Gene Tierney both looking at each other in Whirlpool (1950)

Image via 20th Century Studios

Orson Welles and Rita Hayworth standing together in The Lady from Shanghai

Columbia Pictures

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The Lady From Shanghai is a film noir directed by Orson Welles, starring Welles, Rita Hayworth, and Everett Sloane. The story follows Michael O’Hara, a sailor who becomes embroiled in a complex web of deceit and murder after he agrees to work for a wealthy couple, Arthur and Elsa Bannister. As Michael becomes increasingly entangled in their lives, he uncovers secrets that threaten to destroy them all.

George Sanders tightly holding Barbara Stanwyck in Witness to Murder (1954)

Image via United Artists

A man and woman sit face to face but don’t look at each other in The Locket.

Image via RKO Radio Pictures Inc.

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